Biography
Resume
Art
Co-organized Golden Age of Cinema in Postwar South Korea (1954-1972)
Co-organized Dictee, Theresa Hak Kyung Cha’s Marathon Reading
Schadenfreude
Herstory
We did not cross the border,
What is Feminist Art?
Both Sides Now
Still/Incessant
REAL DMZ PROJECT
2018 Gwangju Biennale
DMZ Museum
Two Minutes To Midnight
Mnemonic Journey
SeMA New Acquisitions
4 Benches
Box Series
Alice 미옥 (Miok)
AVM
Last Notes and Sketches
ACC Archive Display
Korea Vietnam
LIGHT / AS / IF
Moving Target
Movement
Wearing History
OVERSEAS / at sea
More…
Lite My Fire
Losing It
Rhizomatic! Fiddleheads!
Insight
Springtimes of Castro…
On the Road
Springtimes of John and…
Projectory
Mother Load
Two Gurus in Drag
Homies
Strangers to Ourselves
XEN
Rainy Day Women #64: Bangabsubnida
Will —- for Peace
Bahc Yi-so, 2003
Time After Time
FluxUs
Tress Pass
Red Shoes
Indignia Assimilado
Axis
Bridge of No Return
Prop
Kindred Distance
Belly Talk
DMZ XING
alter idem/performing…
Global Garden
Remembering Jung…
Ritual Labor of a…
Nexus
Crossings
Home Be Coming
Teach Them Well
Talking Herstory
Dwelling
Defining Moments
Geography of Desire
deCOLONIZATION
Over There Out…
Palestine Now
Colorblind
’50 Chevy
Coca Colony
Real Estate of Things…
Make Me
Groundswell
Gold Mountain
Untitled
Whirl War
Half Home
Back of the Bus 1953
American Friend
Voice Over Flicker
In Light of New…
In and Out of Reason
Looks Like Life
House of Cards
Foxtrot / Frame
Storyline
Red Blue or Yellow
Not Blue
Solidarity II
Corners
Left to Right
Cancellation Sequence in 7 Steps
Curatorial Projects
transPOP
THERE
More…
Out the Inside
Humor Me
Fallayavada
LA Koreatown
Charm Offensive
PROP
Memories of Over…
OUT LOUD
Text
About YSM
by YSM
Catalog
Review
ARKO Exhibition Symp…
Yerba Buena Center for…
More…
© 2024
2018 Gwangju Biennale
David Teh RETURNS, Curatorial Project, THERE: Sites of Korean Diaspora
